whole half diminished scale

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But that's not all, this is the ideal scale for diminished chords too (which sound similar to Dom7b9 chords). The Locrian ♮2 scale is commonly used in jazz and some rock. by buying | Blues Scale | Blues Scale (Variation 1) Firstly try to memorise the 3 groups of diminished scales. The half-whole diminished scale is sometimes referred to as the “auxiliary diminished scale” (again, note the inherent contradiction because some people use the same term for the opposite scale!) This scale is primarily used in jazz music and works well together with alternate seventh chords. All Rights Reserved. Another thing that sprung to mind when I transcribed the line was that over A7, he is simply playing the notes of D Dorian, which anticipates the resolution to D-. The Jazz Resource Homepage, Copyright 2008-2020 TheJazzResource.com Privacy Policy. Next try to create patterns using different combinations of intervals. Melodic Minor b13 | Melodic Minor Scale | This Scales   U   Ukrainian But… if you analyse the scale degree of the notes played over A7, we have the 11, 5, b13, b7, root, 5, 11 & #9 (in relation to A7). Sometimes I feel confuse about II V I concept. | Mixo-Blues Scale | Mixolydian | Mixolydian b2 | Mixolydian b6 | Mixolydian b9 | Mixolydian b13 | Mixolydian b2 b6 | Mixolydian b9 b13 | Mixolydian #4 | Mixolydian #11 | Mohammedan Scale | Music Modes | Music Scales | Musical Modes   N   Natural Minor Scale | Neapolitan Major Scale | Neapolitan Minor A useful relationship to understand is that when playing over minor 251s, you can use the HW dim scale built from the 5 chord and play that over both the 2 and 5 chords. If you visualize it running up a single string you can see that it is made of alternating 1 and 2 fret gaps. diminished scale. | Harmonic Major Scale | Harmonic Major Scale Practice playing up and down the scale tones sequentially. Hi, Hayden. However, instead of starting the scale with a half step half-whole) start with a whole step (whole-half). The key is to always have a point of resolution in mind. This makes the scale ideal for making a sequence of notes and repeating the sequence up minor 3rds. So on a C diminished chord, play a C whole-half scale aka a D half-whole scale. Thanks. Is there a lesson in detail on the Locrian. dominant V7 chord, The Diminished Scale is built upon two diminished seventh chords. The scale alternates half and whole steps until the scale starts again. However, it is difficult to remember the appropriate applications for the scale. Home > Symmetric Scales > Half-Whole Diminished Scale > G HW dim Home > Symmetric Scales > Half-Whole Diminished Scale > G HW dim scale all-piano-scales.com en Français. All Rights Reserved. Music Scales It is more commonly known as the Locrian ♮2 scale, a name that avoids confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). Dim7 diminished = whole-half; Diminished Scale Fingerings. Info For example the C half-whole scale is the same notes as the Eb, F#, and A half-whole scales. Rather The half-whole diminished scale is an 8 note symmetrical scale. The alterations b13, #9 are also present to add colour. Step-by-step lessons to master jazz theory, Learn the blues, jazz blues, funk, & gospel, Syllabuses to guide your learning journey, learn to play your favourite tunes & songs. Whole-Tone Scale | Dominant Diminished Scale | Dominant Whole-Tone Scale | Dorian | Dorian b2 | Dorian b5 | Dorian b9 | Dorian b2 b5 | Dorian b5 b9 | Dorian #4 | Dorian #11 | Dorian Pentatonic Scale | Double Harmonic Minor Scale | Double Harmonic Scale   F   Flamenco Scale | Freygish Scale   G   Guitar Scales | Gypsy Minor Scale   H   Half Diminished Scale | Half step - Whole step Scale | Half-Whole Diminished Scale | Half-Whole Scale As the name implies, the scale is constructed of alternating whole and half steps and sounds very sophisticated and colorful. The half-whole diminished scale is an 8 note symmetrical scale. Examine the scale and the intervals within it below: Basically there are two scales that are used for improvising over and harmonizing altered dominant chords. It is commonly practiced by such neoclassical metal guitarists Michael Romeo, and such jazz pianists as Oscar Peterson and Jonah Cristall-Clarke. More info... 3. The October 13th, 2003. AWESOME CONTENT!

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