cupid and psyche louvre
(The Hague, c. 1545 – Prague, 1626), Denon wing Ground floor Michelangelo gallery Room 403. Search the Collection. Curatorial Departments. Mercury is easily identifiable by his winged ankles and petasos (winged helmet). The messenger god Mercury took Psyche to Mount Olympus, where she was reunited with her lover. Jealous of Psyche’s beauty and furious at the union of this mere mortal and her son Cupid, the goddess Venus inflicted a series of trials on the young woman, who overcame them successfully. Go to navigation Bresc G. et Pingeot A., Sculptures des jardins du Louvre, du Carrousel et des Tuileries (II), Paris, 1986, p.165. The plaster model was shown at the 1802 Salon, but the marble was not completed until 1817, seven years after Chaudet’s death, by his friend Pierre Cartelier (1757-1831).Chaudet succeeded in expressng the two contradictory aspects of the renaissance of classicism, the graceful poetry of Cupid and virile, monumental sculpture exalting heroism in the manner of Oedipus and Phorbas (Musée du Louvre, RF 384). The sculptor has achieved a subtle balance between nature and the ideal, inherited from the 18th century. He reworks Giambologna’s bold distribution of weight in the gravity-defying Flying Mercury (a copy of which is in the Louvre), in which the messenger god’s foot seems to be the only part of the statue still in contact with the ground. Mercury is easily identifiable by his winged ankles and petasos (winged helmet… Go to search Imprisoned by Cupid, the soul soon experiences love’s torments rather than its pleasures. Adriaen de Vries’s monumental bronze is a virtuoso work whose bold distribution of weight and spiraling movement create an impression of flight and invite the spectator to move around the sculpture. Mausoleum of the Heart of Louis de Cossé, Duc de Brissac (1625-1661), Department of Sculptures: Northern Europe, Next work The messenger god Mercury took Psyche to Mount Olympus, where she was reunited with her lover. Antonio Canova, a sculptor from Possagno, was only thirty years old when this sculpture was commissioned by a Scottish colonel, Sir John Campbell, whom he met in Naples in 1787 and who also commissioned the famous group known as Psyche Revived by Cupid’s Kiss (now in the Louvre). Cupid is portrayed as a naked, unarmed adolescent whose sole attributes are his short wings. The figures form a “knot of bodies” whose flowing, undulating lines spiral upward, giving an aerial feeling of elevation. The pose, the almost suave charm of the face, the delicate fingers, the refined treatment of the hair: everything expresses sensitivity, reserve, and grace. The first, commissioned by a Briton, was later acquired by Napoleon’s brother-in-law and is now in the Musée du Louvre, Paris. The Tuileries and Carrousel Gardens Psyche Revived by Cupid’s Kiss is a sculpture by Italian artist Antonio Canova first commissioned in 1787 by Colonel John Campbell. “Psyche Revived by Cupid’s Kiss” is a major work by 18th-century sculptor Canova. In de Vries’s work, the drapery falling between the two bodies supports the group without affecting its lightness. Change language, Home>Collection & Louvre Palace>Curatorial Departments>Mercury Abducting Psyche, Previous work Cupid and Psyche is a Roman myth written in the 2nd century CE, based on similar, much older folktales from Europe and Asia. All those who have purchased a ticket for this period will automatically receive a refund—no action is required. The myth is told by the Roman writer Apuleius in the Golden Ass, then by Jean de la Fontaine in The Loves of Psyche and Cupid. The pose’s elegance is remininiscent of certain classical and Renaissance sculptures, such as Ponce Jacquiot’s Girl Extracting a Thorn (Louvre, RF 3455). Cupid and Psyche, Louvre, Paris. Study and Research. Cupid, lover of the beautiful mortal Psyche, visited her nightly on the condition that … Musée du Louvre, Paris), The Death of Socrates (1787, Metropolitan Museum of Art, New York), and The Lictors Bring-ing Brutus the Bodies of His Sons (1789, Musée du Louvre, Paris). The Tuileries and Carrousel gardens remain open. Go to content The tale involves the love relationship between a mortal and a god, and it is a rarity in classical literature, in that it has a happy ending. October 14 – 6 Notes #sculpture Thank you for your understanding. In this work, Adriaen de Vries appears to seek to push back the frontiers of sculpture and to surpass his master. This marble sculpture whose theme is inspired by ancient mythology is displayed in the Michelangelo Gallery at the Louvre … Mercury bears Psyche aloft as he escorts her to Olympus where, after many adventures, she obtains immortality and is reunited with her lover Cupid. Go to content Adriaen de VRIES Thus Psyche became the goddess of the soul and the wife of Eros or the Roman equivalent Cupid, the God of love. Such is the sculptor’s proud assertion of the value of his work. Jealous of Psyche’s beauty and furious at the union of this mere mortal and her son Cupid, the goddess Venus inflicted a series of trials on the young woman, who overcame them successfully. The group thus signifies that Art raises Genius to immortality. The theme was depicted by a great many artists, from antiquity to the neoclassical period, at which time it was hugely popular (Canova’s Eros Awakening Psyche, Prud’hon’s Abduction of Psyche, Musée du Louvre). Contemporary Art. The butterfly, a prisoner, symbolizes the soul (Psyche in Greek). The group invites the spectator to move around the statue and study it from its many different angles, none of which dominates, as in Giambologna’s Rape of the Sabine Women (Florence, Loggia dei Lanzi). The second, for which this full-scale model was prepared, was made for Prince Nicholas Youssoupov and is now in the Hermitage, Saint Petersburg. The story of Cupid and Psyche was a popular artistic choice in the neoclassical period. Selected Works. Cupid and Psyche 1798 Oil on canvas, 186 x 132 cm Musée du Louvre, Paris: The second generation of the Neoclassical style cultivated an aestheticism of beautiful physique that seemed to be trying to discover the limits of what was feasible. Canova produced many versions of the theme; most were of terracotta, but he also sculpted some beautiful marble groups, two of which are in the Louvre: Cupid and Psyche standing, and Psyche Revived by Cupid’s … Psyche was granted immortality by Jupiter and forgiven by Venus. The Pavillon de l’Horloge. The theme inspired Chaudet to create a graceful composition, whose linear harmony and delicate details are heightened by his beautiful treatment of the marble. Dijon, Musée Magnin, 2002, notamment p.68. All those who have purchased a ticket for this period will automatically receive a refund—no action is required. Psyche Revived by Cupid’s Kiss (Italian: Amore e Psiche [aˈmoːre e ˈpsiːke]; French: Psyché ranimée par le baiser de l’Amour; Russian: Аму́р и Психе́я, romanized: Amúr i Psikhéja) is a sculpture by Italian artist Antonio Canova first commissioned in 1787 by Colonel John Campbell. Rijksmuseum Amsterdam, Nationalmuseum Stockholm, The Jean Paul Getty museum Los Angeles, 1999, n 3, p.109.
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