Get our periodic classical music newsletter with our recent reviews, news and beginners guides. The sound engineering from Pentatone is excellent throughout, setting this apart from many recordings available. BACH CELLO SUITE N°6 IN D MAJOR BWV 1012. Many of Bach’s best-known compositions from the Cöthen period begin with a prelude; these include the first volume ofThe Well-Tempered Clavier,Part 1; the six English Suites; the six Partitas for harpsichord; four of the six works for solo violin (all three Sonatas and the last of the three Partitas); and all six of the Cello Suites. BACH CELLO SUITE N°6 – SOURCE III . Weilerstein continues with her expressive but authoritative style, but nothing becomes predictable or ordinary. It covers new album reviews by knowledgeable and independent writers, as well as in-depth guides and news. 3 in C is folky and relaxed – Paul Tortelier’s performance shows off its friendly character. From the first notes of the First Suite’s Prelude, it becomes immediately obvious that this is the beginning of a well-considered journey. Review: Martinů – Violin Concertos – Frank Peter Zimmermann, Bamberger Symphoniker, Jakub Hruša, Review: “Amici e Rivali” – Lawrence Brownlee and Michael Spyres perform Rossini, Double Review: Quatuor Arod and the Signum Quartett Play Schubert, Review: “Carnival of the Animals” – The Kanneh-Masons, Review: Louis Lortie Plays Chopin, Volume 6, Review: Bach Cello Suites 1-3 – Amit Peled (Casals’ Cello), Review: Bach – Sonatas and Partitas for Solo Violin – Thomas Zehetmair, Review: “Stabat” – Pärt, Macmillan & Vasks – Ross, Review: Brahms – Piano Concerto No. Bach – 6 Suites For Unaccompanied CelloAlisa Weilerstein – CelloPentatone, CD PTC5186751, Read more classical music reviews or visit The Classic Review Amazon store. Back to a major key, Bach’s Suite No. There is a freedom, spirit, yearning and spontaneity, her sense of how to play this music evolves, unfolds and flows. Suite No. 33 – Doric String Quartet, Review: Niklas Sivelöv – Piano Concertos – Composer, Malmö Symphony Orchestra, Review: Franz Schmidt – Complete Symphonies – Frankfurt Radio Symphony Orchestra, Paavo Järvi, Read of the latest news in classical music, Looking for the best version of a classical music piece? Sony wisely priced this 2 CD release as a single CD (With vinyl costs the full double amount). Review: Bach – The 6 Cello Suites – Alisa Weilerstein Leighton Jones – April 13, 2020 June 18, 2020 Alisa Weilerstein has proved an exceptional cellist and distinguished musician, as shown by her collaborations with the Trondheim Soloists in Haydn and Schoenberg and with Daniel Barenboim in … The Prelude is not what one may expect, and becomes the model upon which the whole recital is built. If you are looking for an outgoing romanticism, whole bows and inflated vibrato of, let’s say, Rostropovich or Fournier, look elsewhere. The character of the Allemande is very different, with detailed but unfussy articulation, while the Courante is spirited, but sufficiently restrained. The Classic Review was launched in 2018 for classical music lovers around the globe. LISTEN. This release can be recommended without reservation for any listener who prefers his Bach played with inner power, rather than superficially forced. All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means. Many Cellists will treat the 5th Suite as an outburst of tragedy and sorrow (Take Maisky as an example). BACH CELLO SUITE N°6 – SOURCE I . Articulation is gently executed with precision and care; dynamics contrast with subtlety and phrasing is as natural as her use of rubato. 33 – Doric String Quartet, Review: Niklas Sivelöv – Piano Concertos – Composer, Malmö Symphony Orchestra, Review: Franz Schmidt – Complete Symphonies – Frankfurt Radio Symphony Orchestra, Paavo Järvi, Read of the latest news in classical music, Looking for the best version of a classical music piece? The second CD of the album programs suites 2, 4 and 5, the two minor suites bookending a major. With such a range of manners in how to contrast music, it begs the question with so much ahead, has she peaked too soon? sound excerpts. Alisa Weilerstein has proved an exceptional cellist and distinguished musician, as shown by her collaborations with the Trondheim Soloists in Haydn and Schoenberg and with Daniel Barenboim in Elgar. In a moment of reflection, the Sarabande is executed with complete command. Believed to have been written for a “Cello Piccolo” or another form of a higher string instrument, The Sixth Suite is more demanding, of the player and listener alike, something which becomes obvious as Weilerstein’s well-considered but communicative approach develops. It covers classical music reviews, as well as in-depth guides and classical music news. Her intonation is a little sharp on occasions — most noticeably on stoped octaves, but is never unacceptable, while tone is consistently warm. His second recording of the Suites was played on the Servais Cello, and was released in 1992. Help would be greatly appreciated. It covers new album reviews by knowledgeable and independent writers, as well as in-depth guides and news. The Classic Review was launched in 2018 for classical music lovers around the globe. BACH CELLO SUITE N°6 – SOURCE IV . The second (1997), was accompanying some 6 short videos for each suite, had a Lower pitch and were overall more extravagant in character. The characterful Gigue, which concludes many cellists complete cycles, feels like a comma here; a chance to breathe and reflect before taking the next step into the remaining three suites. Weilerstein relish of contrasts in textures and tonalities makes for an extraordinary ending. Weilerstein’s contemporary approach is respectful of the Baroque origins but brings a highly expressive performance. Read our Best Of guides for classical music. Bach – 6 Unaccompanied Cello SuitesYo-Yo Ma – CelloSony Music, CD 19075854652. This third installation belongs more to the world of the first recording, though with some added profoundness (Maturity?) Six Cello Suites, BWV 1007-1012 The Six Cello Suites by Johann Sebastian Bach belong to the Old Testament of cello literature. The following Allemande is thoughtfully paced and is characterized by further considered phrasing, enticing the listener in further. Compared to Bach’s other suite collections, the cello suites are the most consistent in order of their movements. She also followed closely the Anna Magdalena Bach Manuscript, playing on guts strings, with a baroque bow, and the 6 th Suite on a 5 string cello. Every cellist who looks at the music immediately feels how naturally the notes are draped around the strings of the instrument. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means. This is Yo-Yo Ma’s third attempt at Bach’s 6 unaccompanied cello suites, and the question on everyone’s mind is “what’s different?”. From the two approaches, Ma is the one that will bring a chill down your spine. The booklet is adequately detailed and a pleasing read, but it’s the beauty of these nurtured interpretations that make Weilerstein’s recording a commendable and refreshing listen. The Courante takes a moment to find its feet before becoming a dance of delight. What becomes more evident here is the use of vibrato — controlled and used only to color the sound. It covers classical music reviews, as well as in-depth guides and classical music news. As in the First Suite, Weilerstein knows how to create contrast, while the two Bourrées summon and release tension, creating a stepping stone on this pathway, leading naturally to the Gigue. The first release (1983) was confident, technically superb and well recorded for the early digital age.

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